I had the chance to shoot a few people today, both Josh and Cory were kind enough to pose for me.  The shoot everyone in the studio project is moving along nicely...Thanks guys for the sessions. - Brian
I now seem to be the only one posting...but that's ok.  During today's Art 4 Lunch I continued shooting people in the studio.  Understanding portraits and portrait lighting is not going to be something that I can do quickly.  The portraits that I've most enjoyed have been those that include the subject and the location (or from a unique perspective like above).
I was lucky enough today, to have 2 models on my solo Art Lunch...I was solo because I actually didn't do it at lunch, well before in fact and went off to Stoney's for my actual lunch.
A sketch from a few weeks ago.  In the graveyard, while those two other idiots tried to break into the abandoned hospital.  I also included a shot of my setup.  Those are dry watercolor pans, with white gouache, clipped to a moleskine watercolor book.  Fits into a small hiking pouch!  Very handy, and fun.

To be honest, I wasn't extremely inspired by this week's Art 4 Lunch location.  A short drive from Pipeline is this single lane bridge.  The road is heavily traveled and frequently the cars bottlenecked on either side.  I selected this capture, because I think I struck an even exposure balance between earth and sky, seeing both clouds and sky... - Brian
This week I was not able to attend our Friday art lunch.  Sadly, my wife's step father passed away.  I spent the week in Michigan with the grieving family and dealing with the loss myself.  I still tried to take my daily picture (www.flickr.com/photos/briansinasac/sets/72157624524234064/)  but found the dates muddied together.  I selected this image to honour Rudy.  The potatoes and shoes for some reason seemed particularly old Europe, and Rudy was truly old Europe (but he loved his new country too)...I'm sure it's not, just some romanticized version that I have in my head... We'll miss you, Rudy. - Brian
While Brian and Chris were exploring the abandoned barns, Alexi and I painted near the street.  It started to rain during this sketch, forcing me to quit early.  I added a few brushstrokes in photoshop, to hit some colour notes that I didn't quite get time to put in the original.  This is watercolour and white gouache on paper.
Though I'm not a huge fan of the pose, I've selected this image because it best represents our intended goal for this week's art lunch.  We set up a narrow rim light, a bounced fill light (umbrella) and third, orange filtered strobe.  The shot was taken with a 50mm set at f1.4, with a shutter speed of 1/325 down a long hallway that terminated in windows, which Chris' stance effectively hides.
Splashing water at the base of a fountain near Lakeside Park in Oakville.  I know, I know,...not an original subject by any stretch of the imagination, but the texture of the water in the photograph reminded me of a Jackson Pollock splatter painting.  With that in mind, I added a slight bit of colour to the lights and darks, which helps separate the detail in the drops and splashes.  I think it's cool that attention gets drawn to a different element of the photo depending on what size it's view it at.....much like you view a lot of crazy abstract art.  Who knows, I'd like to see it blown up to 20 feet by 10 feet....haha - Will
Week 3 took us to the Oakville waterfront.  A location I'm thinking we will most likely return to fairly frequently given where we work.  The waterfront area is surrounded by parks and peers and green...and lots of people.  I'm not super comfortable yet shooting people I don't know.  I find myself pretending to focus someplace else, then quickly switching to my intended subject, taking the shot and then pretending to focus elsewhere again.  Needless to say, most of my stuff was improperly focused or framed...The 300 mm let's me stay way back and out of peoples faces, but still, somehow they know I'm looking at them. - Brian
Week 2 we did some remote flash work, my first time working with this type of equipment, having previously only worked with the built in.  I like the extreme contrast that the flash gave.  I'm looking forward to trying it again.  Obviously the shots are contrived, so it lacks that voyeur sense that I find I'm becoming addicted to.  It would be fun to do some whacky portraits though.  Maybe we can convince someone to model for us next time.  - Brian